Sergey Podgorkov. BETWEEN RAIN AND FOG Automatic translate

The project was implemented with the assistance of the Committee on Culture of St. Petersburg.

Sergei Podgorkov was born on September 3, 1953 in Novgorod in a family of military personnel. He graduated from school in Leningrad. Engaged in photography since childhood, but “meaningfully” - since the 1970s. He has been a member of the Zerkalo photo club since 1975. Areas of interest: reporting, landscape, portrait.

Sergei Podgorkov became a chronicler of the life of informal Leningrad at the end of the 20th century. His material is a social genre. His ability to capture the moment when the everyday life and everyday life of the surrounding life is striking in its sharp character and unique personality is striking.

Photographs taken by the author in different years, including in the last decade, will be presented at the exhibition in the Borey gallery.

“Podgorkov - flesh from the flesh of his heroes - does not peep, does not catch, and, moreover, does not condemn or condemn - he, like everyone else, lives among us. Take a look at his photographs - all the contemporaries he shot are not yours / are our relatives, friends, neighbors? But aren’t we / are you yesterday, today, tomorrow?.. ”

Alexander Kitaev, 2019

“There is an opinion that a lot of literature is not required around photography. Most likely, this is the case. The language of photography is universal. Like the language of music or painting. Black and white photography is even more democratic. Dogs are said to see the world in monochrome. Maybe. Although the dogs did not tell me about this. <…>

Any self-respecting specialist is inclined to consider his work more important than other classes. This is explainable and justified. If the photo disappears tomorrow, the world will not turn upside down. The world will not collapse if music, painting, cinema disappear. It will be harder without bread, electricity and firewood. But generating heat and food as an end in itself is dreary and not exciting. ”

Sergey Podgorkov, 2019