Roerich N.K. – Mill in the mountains (Copyright repeat)
1913. Paper on cardboard, ink, brush and graphite pencil. 48.7 x 64 cm.
Location: State Russian Museum, St. Petersburg (Государственный Русский Музей).
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Here we see a dense accumulation of detail, particularly evident in the rendering of the mill itself. Its architecture appears complex, with multiple levels and what seem to be water-powered mechanisms integrated into its design. The artist has meticulously depicted the texture of the stone construction, using closely spaced lines to convey roughness and solidity.
The surrounding mountains are rendered with a similar intensity of line work, creating a sense of imposing scale and formidable natural power. A cascading waterfall is visible, originating from higher elevations and carving a path through the rocky terrain. The water’s movement is suggested by short, agitated strokes that contrast with the more static lines used for the stone structures.
The tonal range is limited to grayscale, which contributes to an atmosphere of somberness and perhaps even isolation. Light appears to emanate from behind the mountains, casting long shadows across the landscape and highlighting the textures of the rocks and buildings. This creates a dramatic effect, emphasizing the depth and vastness of the scene.
Subtly, the drawing seems to explore themes of human interaction with nature. The mill, while integrated into the environment, also represents an imposition upon it – a testament to human ingenuity and industry attempting to harness natural forces. However, the sheer scale of the mountains dwarfs the structure, suggesting a humbling relationship between humanity and the wilderness.
The absence of any human figures further reinforces this sense of solitude and emphasizes the dominance of nature. The scene evokes a feeling of quiet contemplation, inviting reflection on the interplay between civilization and the untamed world.