The Last castle (sketch stump) Roerich N.K. (Part 1)

Here we observe a study in charcoal and pastel, depicting a formidable structure perched atop a steep, rocky prominence. The composition is dominated by the mass of this edifice, rendered with vigorous, gestural strokes that emphasize its scale and imposing presence. The artist has employed a limited palette, primarily consisting of earthy browns, greens, and grays, which contribute to an overall sense of somberness and age.
The structure itself appears dilapidated, exhibiting signs of weathering and decay. Its architecture is difficult to discern precisely; it seems more like a ruin than a fully realized building, suggesting a history marked by conflict or abandonment. The artist has not provided detailed architectural elements, instead focusing on the overall form and texture of the stone.
Below the structure, at the base of the promontory, two small figures are discernible. Their diminutive size in relation to the castle underscores its grandeur and perhaps hints at a sense of human insignificance against the backdrop of time and history. They appear distant, almost lost within the landscape, suggesting they may be observers or wanderers rather than inhabitants.
The background features a body of water extending towards a hazy horizon line. The sky is overcast, contributing to the painting’s melancholic atmosphere. The limited detail in the distance creates a sense of depth and vastness, further emphasizing the isolation of the structure.
Subtly, the work conveys themes of decline, resilience, and the passage of time. The ruined castle could be interpreted as a metaphor for lost power or forgotten civilizations. The presence of the figures introduces an element of human connection to this historical narrative, albeit one that is distant and contemplative. The overall effect is one of quiet contemplation on the impermanence of human endeavors against the enduring forces of nature.