Edward Lear – Landscape with Goatherd
c.1842. 27×37
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a distinct atmospheric perspective; the distant settlement is rendered with softened edges and muted tones, creating an impression of considerable depth. The sky occupies a significant portion of the canvas, exhibiting a range of blues and whites indicative of a partly cloudy day. Light falls unevenly across the scene, highlighting certain areas while leaving others in shadow, contributing to the overall sense of naturalism.
The inclusion of the goatherd introduces an element of human presence within this otherwise wild environment. He is not actively engaged in labor but rather appears as an integral part of the landscape itself – a figure who embodies a connection to nature and a simpler way of life. The settlement, though distant, suggests civilization and perhaps a sense of longing or aspiration.
The painting’s subtexts revolve around themes of pastoralism, solitude, and the relationship between humanity and the natural world. It evokes a feeling of tranquility and timelessness, hinting at an existence removed from the complexities of modern society. The muted color palette and loose brushwork contribute to this sense of serenity, while the dramatic topography underscores the power and grandeur of nature. There is a quiet dignity in the goatherd’s posture, suggesting resilience and acceptance within his environment.