James Pollard – Epsom Races- Settling Day at Tattersalls
1834 to 1835. 31×47
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The architecture surrounding the courtyard is characterized by brick buildings with symmetrical window arrangements, indicative of a formal, institutional setting. The sky above is overcast, lending a somewhat somber tone to the scene, though light filters through gaps in the building facades, illuminating portions of the crowd and highlighting details within the pavilion. A small dog wanders freely amongst the men, adding a touch of informality to the otherwise structured environment.
The painting’s subtexts revolve around themes of commerce, social hierarchy, and leisure. The presence of so many formally attired men suggests an event of considerable importance and financial significance. The auction or settling day context implies transactions involving horses, likely for racing purposes, highlighting a culture centered on gambling and equestrian sport.
The uniformity in dress underscores the shared status of these individuals – they are clearly members of a particular social class, likely affluent landowners or merchants involved in the horse-racing industry. Their animated interactions suggest a competitive atmosphere, where fortunes may be won or lost. The inclusion of the dog introduces an element of humanizing detail within this otherwise rigid and formal setting.
The overall impression is one of controlled chaos – a carefully orchestrated event that combines elements of business, social interaction, and recreation, all set against the backdrop of a well-defined architectural space.