Anton Graff – Dorothea Schlegel
c.1790. 44x37
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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Here we see a deliberate informality in the pose; it is not stiff or posed for formality but rather conveys an impression of spontaneity. Her expression is complex – there’s a hint of a smile playing on her lips, yet her eyes hold a certain alertness, even a touch of playful mischief. The slight upward tilt of her head contributes to this sense of engaging curiosity.
The artists handling of paint is loose and expressive, particularly in the rendering of the voluminous hairstyle. A cascade of curls dominates the upper portion of the composition, rendered with rapid brushstrokes that suggest both texture and movement. The color palette is muted, dominated by warm browns, creams, and subtle pinks which contribute to a soft, intimate atmosphere.
The skin tones are skillfully modeled, indicating an understanding of light and shadow. A delicate blush highlights her cheeks and lips, adding vitality to the face. The background is indistinct, allowing the viewer’s attention to remain focused on the subjects countenance.
Subtly, the portrait hints at a certain self-awareness within the sitter. Her gaze, while not directly engaging with the viewer, suggests an intelligence and perhaps a degree of ironic detachment. The elaborate hairstyle, typical for the period, underscores her social standing, yet the relaxed posture and expression suggest a personality that transcends mere societal expectations. There is a sense of quiet confidence conveyed through the portrait – a woman comfortable in her own skin, possessing both beauty and intellect.