Karl Friedrich Schinkel – Blick auf den Mont Blan
c. 1813. 37x42
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In the foreground, a rustic chalet nestles amongst verdant foliage, its weathered wood suggesting age and resilience. A small group of figures are visible near the structure, their presence hinting at human habitation and connection to this landscape. A modest wooden bridge spans a swiftly flowing stream that winds through the valley floor, leading the eye deeper into the composition. The water’s surface reflects the surrounding vegetation and sky, creating a sense of depth and tranquility.
The artist employed a distinct atmospheric perspective; distant elements are softened in tone and detail, contributing to the illusion of vastness. A hazy atmosphere obscures the details of the valley beyond the immediate foreground, suggesting an expansive, almost limitless distance. The palette is predominantly cool – blues, greens, and grays – with touches of warmer browns and yellows used to highlight the chalet and surrounding vegetation.
Beyond a purely descriptive representation of nature, this painting seems to explore themes of human interaction with the sublime. The smallness of the figures in relation to the mountains underscores humanitys place within a larger, powerful natural order. There is an implicit sense of reverence for the landscape, suggesting a desire to capture its grandeur and convey its emotional impact. The presence of the chalet and bridge implies not only habitation but also a deliberate integration into this environment – a testament to human adaptation and perseverance in the face of formidable natural forces. The overall effect is one of awe-inspiring beauty tempered by a quiet contemplation of humanitys relationship with nature.