Paris Bordone – Ecstasy of Saint Catherine of Siena presented by the Virgin to the Savior
~1558
Location: Academy Carrara (Accademia Carrara), Bergamo.
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Below this elevated group, a female saint is depicted ascending through swirling clouds. She wears a Dominican habit and veil, her face tilted upwards in an expression of rapturous devotion. Her body leans forward as if propelled by an unseen force, suggesting a spiritual elevation beyond earthly constraints. The positioning of her hands – one extended towards the divine figures above, the other gesturing outwards – implies both reception of grace and a potential offering or intercession.
The lower portion of the painting depicts a landscape receding into the distance. A winding river cuts through a valley dotted with trees and small settlements nestled against distant mountains. This earthly realm provides a stark contrast to the heavenly scene unfolding above, emphasizing the separation between the mortal world and the divine. The muted colors and atmospheric perspective used in rendering the landscape contribute to its sense of remoteness and insignificance compared to the luminous figures dominating the upper portion of the canvas.
Subtly, the painting explores themes of intercession and divine favor. The Virgin’s gesture towards Christ suggests her role as an intermediary between humanity and God. The saints ascent can be interpreted as a visual representation of spiritual progress or enlightenment, facilitated by divine grace. The inclusion of the landscape serves not only to ground the scene but also to highlight the transformative power of faith – a journey from the mundane world toward the sublime. The overall effect is one of profound reverence and an invitation to contemplate the mysteries of faith and salvation.