San Lorenzo (Polyptych of Berbenno) Andrea Previtali (Cordegliaghi) (c.1480-1528)

The composition presents a solitary figure set against a warm, golden background that creates a halo-like effect around them. The individual is depicted in a frontal pose, facing directly towards the viewer, which establishes a sense of direct engagement and solemnity. They are clad in elaborate layered garments – a white underdress visible at the neckline and sleeves, overlaid with a green tunic adorned with intricate black cross detailing. A red sash crosses diagonally over the tunic, secured by a decorative clasp bearing another cross.
In their left hand, they hold what appears to be a bundle of reeds or stalks, while their right hand rests upon an open book held close to their chest. The posture suggests reverence and contemplation; the gaze is fixed on the text within the book, conveying a sense of deep study or devotion. A golden halo encircles their head, signifying sanctity and divine connection.
The artist’s use of color contributes significantly to the overall impression. The green tunic evokes associations with hope and renewal, while the red sash introduces an element of passion and sacrifice. The white underdress symbolizes purity and innocence. The limited palette and smooth application of paint contribute to a sense of idealized beauty and spiritual grace.
Subtly, the composition suggests themes of scholarship, faith, and martyrdom. The book likely represents knowledge or sacred texts, while the reeds could allude to persecution or suffering – a common symbol in depictions of religious figures who faced adversity for their beliefs. The overall effect is one of quiet dignity and unwavering commitment to a higher purpose.