Jean Auguste Dominique Ingres – Reclining Venus
1822. 116x168
Location: Walters Art Museum, Baltimore.
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The subtexts of the painting are multi-layered. The reclining nude was a common motif in Renaissance art, often symbolizing beauty, luxury, and sensuality. Venus, as the goddess of love and beauty, further emphasizes these themes. The presence of the flowers in her hand can symbolize love and fertility. The inclusion of the domestic scene and the dog in the background suggests a contrast between ideal beauty and everyday life, or perhaps a commentary on fidelity and loyalty. The overall composition, with its division into two distinct spaces, may also serve to juxtapose the idealized, timeless representation of Venus with the more mundane reality of human life. It invites contemplation on themes of desire, beauty, domesticity, and perhaps the passage of time.