Ingres Edmond Ramel and his wife born Irma Donbernard Jean Auguste Dominique Ingres (1780-1867)

The drawing presents a seated couple, rendered in graphite on paper with a warm, aged tone. The figures occupy a central position within the composition, their gazes directed towards the viewer. A man sits slightly forward, his posture suggesting a quiet confidence and an attentive demeanor. He is dressed in a dark jacket over a lighter shirt, the fabric’s folds meticulously detailed to convey texture and volume. Beside him rests a woman, her form positioned closer to the picture plane. She wears a high-necked dress with delicate lace at the collar and sleeves, topped by a veil that frames her face.
The artist has employed a precise linear style, emphasizing contours and subtle shading to define features and clothing. The man’s facial hair – a neatly trimmed beard and mustache – adds a touch of formality to his appearance. The womans expression is reserved, yet conveys an air of gentle refinement. Their hands are intertwined, a gesture that speaks volumes about their relationship; it suggests intimacy, stability, and shared life.
The background is sparsely rendered, with indications of what appears to be a ship’s rigging visible on the left side. This detail introduces a subtle element of narrative – perhaps hinting at travel or connection to maritime pursuits. The overall effect is one of restrained elegance and understated domesticity.
Beyond the straightforward depiction of a couple, the drawing seems to explore themes of social standing and familial bonds within a specific historical context. The meticulous attention to detail in their attire and posture suggests an emphasis on propriety and respectability. The subdued palette and formal arrangement contribute to a sense of quiet dignity, indicative of a portrait intended to commemorate or celebrate a significant relationship.