Ingres Madame Charles Simart born Amelie Baltard Jean Auguste Dominique Ingres (1780-1867)

The drawing presents a woman in a three-quarter pose, facing forward with a direct gaze towards the viewer. She is depicted within an intimate portrait setting, suggesting a commission or private study. The artist has rendered her with meticulous attention to detail, particularly regarding the elaborate drapery of her gown.
Here we see a woman of apparent wealth and status; the quality of the fabric and its complex folds speak to a certain social standing. Her hair is styled in ringlets, framing her face and contributing to an overall impression of refined elegance. The sleeves of her dress are voluminous and gathered at the wrist, secured with what appears to be a ribbon or small bow – a detail that adds visual interest and reinforces the sense of luxury.
The artist’s use of line is notable. Delicate hatching and cross-hatching create subtle tonal variations, suggesting form and volume without relying on color. The lines are generally smooth and controlled, indicative of a practiced hand. Theres an intentional restraint in the rendering; while details are present, they do not overwhelm the overall composition.
The background is largely absent, drawing focus entirely to the subject. This lack of context contributes to a sense of formality and emphasizes her presence as the central figure. The inscription at the bottom right corner, though partially obscured, provides a personal dedication, hinting at a relationship between the artist and the sitter.
Subtly, theres an air of quiet confidence in the woman’s expression. It is not overtly joyful or sorrowful; rather, it conveys a sense of composure and self-possession. The directness of her gaze suggests both engagement with the viewer and a certain reserve. This combination creates a portrait that is simultaneously approachable and somewhat enigmatic, inviting speculation about the sitters character and circumstances.