Ingres Guillaume Guillon Lethiere Jean Auguste Dominique Ingres (1780-1867)

The drawing presents a portrait study executed in graphite and white chalk on paper. The subject is depicted from the chest upwards, seated in a relaxed posture with his arms crossed over his lap. He gazes directly at the viewer, establishing a sense of engagement and directness.
The artist’s handling of line is notable. A delicate network of hatching defines the contours of the face and body, creating subtle gradations of light and shadow that suggest volume and form. The hair, rendered with short, energetic strokes, appears voluminous and somewhat unruly, contributing to a sense of naturalism. The clothing – a jacket draped over his shoulders and an open waistcoat – is sketched with a similar attention to detail, the folds and textures indicated through careful shading.
The composition is relatively formal, adhering to traditional portrait conventions. However, the informality of the medium – graphite and chalk – lends a spontaneity and intimacy to the work that distinguishes it from more finished portraits. The subject’s expression conveys a mixture of intelligence and amiable self-assurance. Theres a certain weightiness in his features, suggesting a man of some importance or authority.
At the lower right corner, an inscription is visible, written in a cursive script. This addition provides contextual information, though its precise meaning remains outside the scope of purely visual analysis.
The drawing’s overall effect is one of careful observation and skillful execution. It appears to be more than just a preliminary sketch; it possesses a distinct character and conveys a sense of personality that transcends mere likeness. The artist seems interested in capturing not only the physical appearance but also the inner presence of his subject, resulting in a portrait study that feels both revealing and dignified.