Jean Auguste Dominique Ingres – Achilles greets the ambassadors of Agamemnon
1800. 113x146
Location: National School of Fine Arts (École nationale supérieure des Beaux-Arts), Paris.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
On the right, the ambassadors from Agamemnon stand, their faces displaying a range of emotions, from sternness to weary wisdom. The central figure, draped in a vibrant salmon-pink tunic, gestures with an open hand, likely attempting to persuade Achilles. An elderly figure leans in, his expression conveying solemnity or perhaps pleading.
The background of the painting reveals a lively encampment, with figures engaged in various activities, hinting at the ongoing Trojan War. The presence of a woman in classical attire, partially visible behind a curtain on the left, adds to the domestic or personal setting of the scenes foreground.
The subtext of the painting lies in the dramatic tension of the moment. Achilles, having withdrawn from battle due to an insult from Agamemnon, is being approached by his kings emissaries. The painting captures Achilles internal conflict: his pride and anger versus his loyalty and the dire need for his military prowess. The ambassadors plea represents the gravity of the situation and the consequences of Achilles absence on the battlefield. The contrast between Achilles youthful, almost nonchalant stance with the lyre and the stern, purposeful demeanor of the ambassadors underscores the clash between personal grievance and the greater cause. The painting thus explores themes of honor, pride, duty, and the human cost of war and conflict.