Peter Paul Rubens – Romulus setting up a Trophy
1625-27. 168x51. Art Gallery of Dulwich College London
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The man is clad in Roman military attire: a breastplate, greaves, and sandals. A crimson cloak drapes over one shoulder, adding to the visual drama and emphasizing his status. The face exhibits a mixture of exertion and fervent expression; the eyes are directed upwards, suggesting either prayer, acknowledgement of divine favor, or perhaps an appeal for continued success.
The trophy itself is constructed from various pieces of armor – helmets, breastplates, shields – arranged in a haphazard yet imposing manner. This arrangement suggests not only victory but also a display of dominance and the subjugation of those who once wore these protective garments. The rocky terrain upon which this scene unfolds contributes to the overall sense of ruggedness and conquest.
The color palette is dominated by warm tones – reds, browns, and golds – which enhance the feeling of intensity and grandeur. The use of light and shadow creates a dramatic effect, highlighting the figure’s musculature and emphasizing the texture of his armor and the rough surface of the rocks.
Subtly, theres an element of theatricality to the scene. The gesture of the raised arm, combined with the imposing trophy, suggests a carefully staged moment intended for observation or commemoration. It is not merely a depiction of victory but also a symbolic act of establishing authority and marking a pivotal event in history – the founding of something new through conquest. The indistinct background hints at an expansive future built upon this initial triumph.