Maria Slavona – Houses at Montmartre
1898. 116x81
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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In the foreground, a small patch of greenery offers a stark contrast to the rigid geometry of the buildings. A tree with vibrant yellow foliage is centrally positioned, its branches reaching towards the sky. This element introduces a sense of organic vitality and softens the otherwise austere environment. The ground beneath the tree appears unkempt, suggesting neglect or perhaps an intentional embrace of natural disorder.
A low wall runs along the bottom edge of the canvas, further emphasizing the elevated perspective from which the scene is observed. It acts as a visual barrier between the viewer and the depicted space, creating a sense of distance and detachment. The darkness of the lower portion of the painting draws attention to the lighter tones above, enhancing the depth and spatial relationships within the composition.
The artist’s brushwork appears loose and expressive, with visible strokes that contribute to a feeling of immediacy and spontaneity. There is an absence of sharp lines or precise detailing; instead, forms are suggested through variations in tone and texture. This technique lends a sense of atmospheric perspective, blurring the boundaries between objects and creating a hazy, dreamlike quality.
Subtly, the painting conveys a tension between urban development and natural elements. The buildings represent progress, industry, and societal structure, while the tree embodies life, growth, and untamed beauty. This juxtaposition hints at themes of modernity versus tradition, or perhaps the encroachment of civilization upon nature. The overall impression is one of quiet observation, capturing a fleeting moment in an ordinary urban landscape.