The painter Leistikow Lovis Corinth (1858-1925)

Here we observe a man seated outdoors, engaged in the act of sketching. He is positioned slightly off-center, angled towards the viewer with his body turned away, creating a sense of quiet introspection and focused activity. The figure wears a formal suit and cap, suggesting a certain social standing or perhaps an adherence to professional norms. His posture is relaxed yet attentive as he holds a pencil poised over a small sketchpad mounted on a portable easel.
The setting appears to be a landscape with a body of water in the background. A hazy atmosphere pervades the scene, softening the details and contributing to a sense of tranquility. The color palette is dominated by muted greens, grays, and pinks, evoking a late afternoon or early morning light. Brushstrokes are visible throughout, lending an impressionistic quality to the work.
The composition suggests a self-reflexive moment – an artist observing and recording his surroundings. The inclusion of the easel and sketchpad directly references the creative process itself. There is a subtle interplay between representation and reality; the man is both subject and observer, actively shaping his perception through artistic practice.
Beyond the literal depiction of an artist at work, the painting hints at themes of observation, contemplation, and the relationship between the individual and nature. The formal attire juxtaposed with the informal outdoor setting might imply a tension between societal expectations and personal pursuits. The indistinct background suggests that the focus is not on the external world but rather on the internal process of creation and understanding. Ultimately, the work offers a glimpse into the private world of an artist engaged in his craft.