Part 2 National Gallery UK – Frans Hals - Portrait of a Woman (Marie Larp)
1635-38
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire immediately signals status and wealth. A large, starched linen ruff encircles her neck, its crisp folds meticulously depicted. This elaborate collar was a significant expense and indicator of social standing in the period. The dark velvet bodice is embroidered with gold thread, adding another layer of opulence to her presentation. The sleeves are similarly adorned, revealing glimpses of delicate lace at the wrist. A white coif covers her hair, neatly framing her face and drawing attention to her features.
Theres a sense of relaxed informality in her posture. Her hands are clasped gently across her chest, not stiffly posed but rather suggesting a moment captured during conversation or contemplation. The slight tilt of her head and the subtle curve of her lips contribute to an impression of approachable charm.
The lighting is carefully orchestrated; it illuminates her face and upper body while leaving the background in shadow. This technique focuses attention on the sitter, emphasizing her presence and importance. The artist’s brushwork appears loose and fluid, particularly noticeable in the rendering of the ruff and the velvet fabric, which creates a sense of texture and movement.
Beyond the straightforward depiction of a wealthy woman, subtexts regarding personality emerge. The directness of her gaze suggests intelligence and self-assurance. The slight smile hints at an inner life beyond mere social display. The overall effect is one of quiet dignity combined with a palpable vitality – a portrait that seeks to capture not just likeness but also character.