Part 2 National Gallery UK – Diego Velazquez - The Toilet of Venus (The Rokeby Venus)
1647-51
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В романе Фейхтвангера "Гойя, или Тяжкий путь познания" фигура Венеры описывается как "типично испанская".
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Behind the reclining figure, a small winged cherub appears, holding a ribbon that seems to be offered toward the woman. The cherub’s presence introduces a sense of playful intimacy and alludes to themes of beauty, desire, and perhaps even divine intervention.
The mirror itself is a focal point. It reflects not only the womans back but also the face of another individual – seemingly a man with dark hair and a beard – within its frame. This reflection complicates the narrative; it suggests an observer or participant in this intimate scene, disrupting any sense of complete privacy. The inclusion of this reflected figure introduces ambiguity regarding the nature of the depicted event. Is it a private moment of self-reflection, or is there a voyeuristic element at play?
The backdrop consists of heavy draperies in deep reds and browns, which contribute to the overall atmosphere of opulence and seclusion. The lighting is dramatic, highlighting the contours of the woman’s body while casting shadows that add depth and complexity to the composition.
Subtly, the painting explores themes of vanity, beauty, and the gaze. The mirror serves as a device for self-scrutiny and invites the viewer to consider their own role in observing this scene. The reflected figure raises questions about power dynamics and the complexities of human relationships. The overall effect is one of restrained sensuality and intellectual curiosity, inviting contemplation on the nature of representation and perception.