Roerich N.K. – Kolduny
1905. Paper on cardboard, pastel, gouache. 52.6 x 70 cm.
Location: Museum of Russian Art, Kiev (Київський музей росiйського мистецтва).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
On the left stands a figure clad in what seems to be traditional garb – a tunic adorned with geometric patterns around the hem and sleeves, and high boots. Most striking is the animal headpiece covering their face; it resembles that of a wolf or bear, obscuring any discernible human features and lending an air of mystery and potential shapeshifting. The figure’s hands are raised in what could be interpreted as either supplication, warning, or perhaps a gesture of incantation.
Facing this individual is another figure, partially obscured by the firsts posture and a large, brown animal – likely also a bear – that stands between them. This second figure wears similar clothing, though their face is more visible, revealing an expression that appears to be one of apprehension or fear. The presence of the bear acts as both a physical barrier and a symbolic intermediary, suggesting a connection to the natural world and potentially representing a spirit guide or guardian.
A tall, slender pole leans against the animal, adding another layer of symbolism – perhaps a staff of authority, a ritual object, or simply a prop within this strange encounter. The ground is uneven, scattered with dark stones that contribute to the overall feeling of ruggedness and untamed wilderness.
The painting’s palette is muted, dominated by earthy tones of brown, green, and grey, which reinforces the sense of austerity and connection to nature. The brushwork is expressive and somewhat rough, contributing to a raw, almost primitive aesthetic.
Subtextually, the work seems to explore themes of transformation, communication with the supernatural, and the blurred boundaries between humanity and the animal kingdom. It evokes a sense of ancient rituals and forgotten beliefs, suggesting a world where magic and folklore are not merely stories but lived realities. The obscured faces and ambiguous gestures invite speculation about the nature of this interaction – is it a pact, a warning, or something else entirely? The painting leaves much open to interpretation, prompting viewers to consider the power of myth and the enduring fascination with the unseen forces that shape our world.