Lesser Ury – Morning sun
1924. 97x67
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The light source is evident in the upper portion of the painting, where sunlight filters through the trees, illuminating patches of foliage and creating highlights on the path itself. This illumination contributes to an overall feeling of warmth and tranquility. The artist employed visible brushstrokes, particularly noticeable in the rendering of the leaves and undergrowth, which lends a textural quality to the scene and conveys a sense of immediacy.
The placement of the trees – tall and slender – frames the pathway, directing attention toward what lies beyond. A glimpse of a building is discernible through the trees in the distance; its color palette suggests brick or stone, but details are obscured by the density of the surrounding vegetation. This structure introduces an element of human presence within the natural environment, though it remains somewhat enigmatic and distant.
Subtly, the painting evokes themes of transition and discovery. The path symbolizes a journey, both literal and metaphorical, leading into the unknown. The dense foliage could represent challenges or obstacles encountered along this route. The building in the distance might signify a destination or a goal to be achieved. The overall impression is one of quiet contemplation and an appreciation for the beauty found within nature’s embrace.