Ercole de Roberti – Madonna with Child and Saints
1480. 323x240
This panel, called Portuense Altarpiece, was executed in 1480 for the church of S. Maria in Porto di Ravenna. The saints around the Madonna are St Augustin, St Anne, St Elisabeth and Blessed Peter of Honesty (Piero degli Onesti).
>Location: Pinacoteca di Brera, Milano.
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The architectural framework itself is noteworthy. The scene unfolds beneath an archway supported by Corinthian columns adorned with sculpted reliefs depicting angelic figures. This creates a sense of depth and grandeur, suggesting the sacred nature of the event depicted. A detailed bas-relief occupies the lower portion of the structure, portraying what appears to be a gathering of people – perhaps worshippers or followers – viewing the central scene from afar.
The color palette is dominated by rich blues, reds, and golds, contributing to an overall impression of opulence and reverence. The mother’s garments are rendered in deep blue, a traditional symbol of piety and royalty. The other woman wears red, possibly signifying her role as a patron or intercessor. The childs skin tone contrasts with the surrounding colors, drawing immediate attention to his presence.
The landscape visible through an opening at the back of the structure is sparsely detailed but provides a sense of perspective and distance. It appears to be a stylized representation of a city viewed from afar, hinting at the earthly realm beyond the sacred space.
Subtly, the painting conveys themes of divine motherhood, intercession, and spiritual authority. The architectural setting reinforces the idea that this is not merely a familial scene but an event of profound religious significance. The inclusion of the clerics suggests their role as intermediaries between the divine and humanity. The distant crowd implies the widespread devotion surrounding these figures. The overall effect is one of solemnity, grace, and the enduring power of faith.