Angelo Ribossi – The Virgin with her divine Son and Saints Charles Borromeo and Catherine of Siena
1857
Location: Pinacoteca di Brera, Milano.
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The Virgin’s posture conveys serenity and grace; she holds her son close while looking down with an expression of gentle compassion. The infant appears to be reaching towards the figure kneeling below. This positioning establishes a visual hierarchy, suggesting intercession or divine favor being bestowed upon the supplicant.
Two additional figures occupy the foreground. A man in ecclesiastical vestments stands facing the Virgin and Child, his hands raised in prayer or supplication. His elaborate attire indicates a position of authority within the Church; the rich fabrics and detailed rendering suggest reverence and importance. To his right, a woman dressed as a religious figure kneels with her eyes closed, her body angled towards the central group. Her posture communicates humility and fervent devotion.
At the base of the composition, scattered objects lie on what seems to be a patterned rug or cloth. These items – including books, chains, and possibly instruments – appear symbolic. The presence of books might represent knowledge or scripture; the chains could signify liberation from earthly bonds or sin; and the other objects may allude to specific virtues or trials associated with the depicted saints.
The color palette is dominated by blues and golds, reinforcing the sense of sanctity and divine light. The use of chiaroscuro – the contrast between light and dark – heightens the drama and directs attention towards the central figures. The overall effect is one of profound religious devotion, portraying a scene of intercession and divine grace within a carefully constructed symbolic space.