Heinrich Vogeler – Baku
1927. 125x90
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The central element is an abstract construction composed of overlapping planes and sharp angles. This form incorporates a prominent red field emblazoned with a stylized star. The arrangement suggests dynamism and movement, as if the structure itself is in motion or undergoing transformation. Around this core, numerous figures are depicted engaged in various activities – walking, gesturing, interacting with each other, and seemingly observing the central geometric shape. These individuals appear to represent workers and citizens of the city, their presence reinforcing a sense of collective energy and purpose.
The color palette is vibrant and somewhat unconventional. While earth tones dominate, particularly browns and ochres reflecting the industrial environment, splashes of red, white, and blue introduce a heightened emotional intensity. The use of light is dramatic; strong highlights illuminate certain areas while others remain in shadow, contributing to the overall sense of dynamism and visual complexity.
Subtly embedded within this bustling scene are hints of social commentary. The depiction of workers alongside symbols of industrial power suggests an exploration of labor and progress. The central geometric form, with its red star, implies a political ideology or system of governance that is integral to the city’s identity and development. The overall impression is one of a society undergoing rapid modernization and transformation, where industry, politics, and the lives of ordinary people are inextricably intertwined. Theres an underlying tension between the grandeur of industrial progress and the human element within this evolving environment.