Toby Edward Rosenthal – Elaine
1874. 97×158 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A cloaked figure stands beside the bier, their posture conveying solemnity and perhaps grief. The hood obscures any discernible facial features, lending an air of anonymity or representing a generalized role – possibly a mourner, attendant, or even a symbolic representation of fate. The dark robes contrast sharply with the delicate fabrics and floral decorations surrounding the deceased.
The background is dominated by a muted sky, hinting at twilight or dawn, further amplifying the melancholic atmosphere. A single bird flies in the distance, a subtle element that might symbolize freedom from earthly constraints or perhaps a messenger carrying news of loss. The water itself reflects the somber tones above, creating a sense of stillness and quietude.
The abundance of flowers – roses and other blooms – is significant; they are traditional symbols of remembrance, beauty, and fleeting life. Their presence underscores the fragility of existence and the inevitability of death. The elaborate nature of the boat’s decoration suggests a person of high status or importance, emphasizing the gravity of the loss being depicted.
The painting evokes themes of mortality, grief, and remembrance. It is not merely a depiction of death but rather an exploration of the rituals and emotions surrounding it, presenting a poignant meditation on human fragility and the passage of time. The subdued lighting and muted color palette contribute to a pervasive sense of quiet sorrow and dignified farewell.