Walter Ufer – Jim and His Daughter
1923. 77×64 cm
Location: Art Institute, Chicago.
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The young woman stands slightly behind him, her posture suggesting a quiet deference. She carries a large earthenware jar balanced on her head, an indication of domestic labor and responsibility. Her dark hair falls forward, partially obscuring her face, which is rendered with a solemn expression. The artist has paid particular attention to the subtle play of light across her skin, highlighting the contours of her features.
The background establishes a rural setting. A field filled with sunflowers stretches towards a distant mountain range under a sky punctuated by billowing clouds. The brushwork in this area is looser and more impressionistic than that used for the figures, creating a sense of depth and atmosphere.
Several subtexts emerge from this depiction. The man’s gesture suggests a shared experience or concern – perhaps an approaching storm, a distant landmark, or simply a moment of contemplation about their surroundings. The womans posture and the burden she carries imply a traditional role within her community, one that involves both physical labor and quiet endurance.
The sunflowers themselves could be interpreted as symbols of hope and vitality amidst a potentially challenging existence. Their bright yellow hues offer a visual counterpoint to the more somber tones dominating the foreground. The overall effect is one of understated dignity and resilience, portraying a glimpse into the lives of individuals connected to the land and bound by tradition.