Jean Honore Fragonard – The Progress of Love: Love the Jester
1790-91. 150.8 x 128
Location: Frick Collection, New York.
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The setting is equally significant. A profusion of roses and foliage occupies the lower portion of the painting, creating a lush, overgrown garden. Several doves are present: some in flight above, others perched amongst the blooms or resting on the ground. The presence of these birds, traditionally symbols of love and peace, reinforces the thematic focus.
The artist’s use of color contributes to the overall mood. Soft pastels – rose pinks, pale greens, and sky blues – create a sense of idyllic tranquility. The light is diffused, lacking harsh shadows, which further enhances the feeling of gentle joy.
Subtleties within the scene suggest deeper meanings beyond simple romantic sentimentality. The cherub’s mischievous expression hints at a less straightforward understanding of love; its not merely passive reception but an active, almost theatrical distribution. The abundance of roses, while conventionally associated with romance, can also be interpreted as representing the potential for excess or even entanglement within relationships. The doves, though symbols of peace, are scattered and somewhat chaotic in their flight, suggesting that love’s path is rarely straightforward or predictable.
The composition itself – the central figure elevated above a dense landscape – implies a divine or transcendent quality to this act of spreading affection. It suggests that love, while rooted in earthly experience (represented by the garden), possesses an inherent power to elevate and transform. The overall effect is one of whimsical charm tempered with a subtle awareness of the complexities inherent within matters of the heart.