Jean Honore Fragonard – The Progress of Love: Love the Avenger
1790-91. 150.8 x 128
Location: Frick Collection, New York.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figure holds aloft a sword, its blade glinting in the light. This is not the gentle instrument associated with courtship or tenderness, but rather a weapon suggesting retribution and forceful intervention. He appears to be pursuing a dove, an established symbol of peace, innocence, and often, romantic fidelity. The dove’s flight suggests panic or distress, further reinforcing the impression that Loves actions are disruptive and potentially destructive.
The setting is equally significant. A dense thicket of foliage frames the scene, creating a sense of enclosure and hinting at hidden depths. The vegetation appears overgrown and somewhat chaotic, suggesting an environment where natural order has been disturbed. Above this verdant foreground, the sky is rendered with loose brushstrokes, conveying atmospheric perspective and contributing to the overall feeling of drama.
The subtexts within this work are complex. While Love is traditionally associated with harmony and benevolence, here he embodies a darker aspect – a vengeful force disrupting tranquility. The sword suggests that love can be possessive, jealous, or even punitive when betrayed or thwarted. It’s possible to interpret the scene as an allegory for the destructive potential of unrequited passion or the consequences of infidelity.
The artists choice of palette – a combination of warm flesh tones, vibrant blues and pinks, and deep greens – further enhances the emotional impact. The overall effect is one of heightened drama and ambiguous morality; a depiction of love not as a gentle balm, but as a potent and potentially dangerous power.