Anthony Van Dyck – Katherine, Countess of Chesterfield, and Lucy, Countess of Huntingdon
1636 1640.
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The woman on the right sits in a chair, angled towards the viewer but with her gaze directed toward her companion. She wears a rich terracotta-colored robe, fastened at the shoulder with a pearl clasp and trimmed with delicate lace. Her hair is styled in loose curls that cascade over her shoulders. A hand extends from beneath the robe, offering what appears to be a small, intricately carved box or instrument.
The background features a stylized landscape – a suggestion of trees laden with blossoms and a distant view of rolling hills under a cloudy sky. The light source seems to originate from the left, illuminating the women’s faces and highlighting the sheen of their fabrics. The dark backdrop creates a sense of depth and focuses attention on the figures themselves.
Beyond the straightforward depiction of two individuals, several subtexts emerge. The act of offering – the presentation of the box – implies a gesture of friendship, alliance, or perhaps even a symbolic exchange of something valuable. The differing colors of their garments might signify contrasting personalities or social roles within their relationship. The landscape setting, while seemingly idyllic, could allude to themes of prosperity and dominion, common motifs in aristocratic portraiture. The overall impression is one of refined elegance and carefully constructed social standing, indicative of the subjects’ elevated position within society.