Thomas Gainsborough – William Johnstone-Pulteney, Later 5th Baronet
c.1772. 238×150
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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Here we see him dressed in a tailored suit of pale beige or cream-colored fabric, typical of late 18th-century gentleman’s wear. The coat is fitted close to the body, suggesting prosperity and access to skilled tailoring. White stockings are visible beneath buckled shoes, further reinforcing this impression of refinement. A tricorn hat rests casually in his left hand, along with a folded handkerchief, both items contributing to an air of relaxed authority rather than rigid formality. He leans on a walking stick, a prop that could signify leisure and land ownership.
The background is rendered with considerable atmospheric perspective. The trees are painted with loose brushstrokes, creating a sense of depth and suggesting a natural setting – likely the grounds of his estate. The water in the distance reflects the sky, contributing to the overall feeling of tranquility and spaciousness. The dark tones of the foliage frame the figure, isolating him from the background and emphasizing his presence within the composition.
Subtly, the painting conveys messages about social standing and personal character. The deliberate positioning, the quality of the garments, and the relaxed posture all work together to project an image of a man comfortable in his position within society. The landscape backdrop hints at landed wealth and connection to nature – values often associated with the aristocracy. The direct gaze suggests confidence and perhaps a desire for recognition or respect. While seemingly straightforward, the portrait’s careful arrangement of elements speaks volumes about the subjects place in the social hierarchy and the values he wished to project.