Portrait of Max Halbe Lovis Corinth (1858-1925)

The portrait presents a man in close-up, his gaze directed slightly off-center, suggesting introspection or perhaps a momentary distraction. He is depicted from the chest upwards, filling much of the frame and emphasizing his presence. The artist employed a loose, expressive brushstroke throughout, creating a textured surface that lends an immediacy to the work.
The man’s attire – a dark suit with a patterned tie – indicates a certain level of formality or professional standing. However, the somewhat disheveled appearance of his hair and clothing introduces a note of informality, hinting at a complex personality. The palette is dominated by muted browns, grays, and blacks, punctuated by subtle touches of red in the tie and hints of pink on the cheeks, which add warmth to an otherwise somber composition.
The background appears indistinct, rendered with vertical strokes that could suggest curtains or architectural elements, but these are not sharply defined; they serve primarily as a backdrop for the figure. The lighting is uneven, casting shadows across his face and highlighting certain features – the prominent nose, the furrowed brow – which contribute to an overall impression of seriousness and perhaps even melancholy.
There’s a sense of psychological depth conveyed through the mans expression; it isn’t overtly joyful or sorrowful but rather suggests a quiet contemplation. The slightly downturned mouth and the intensity in his eyes imply a certain weariness, possibly hinting at burdens carried or experiences endured. The painting doesn’t offer a celebratory depiction but instead seems to explore the complexities of character – a man caught between formality and vulnerability, strength and introspection.