Polyptych for S. Pietro in Perugia, predella – Saint Flavia Pietro Perugino (1445-1523)

The painting presents a female figure depicted in a three-quarter view, her gaze directed upwards and slightly to the left. Her posture is one of devout supplication; hands clasped together in prayer are positioned at chest level. The face exhibits an expression of gentle melancholy or contemplative serenity, with subtly rendered features suggesting youthfulness and inner grace.
The artist employed a limited palette dominated by green, red, and muted blue tones. A green tunic forms the primary garment, overlaid with a crimson mantle that drapes across her shoulders and chest. A delicate purple veil is loosely arranged around her head, partially concealing dark hair. The rendering of fabrics demonstrates an attention to detail; folds are carefully observed and rendered to suggest volume and texture.
The background is a deep blue, punctuated by horizontal lines suggesting architectural elements or a distant landscape. This stark backdrop serves to isolate the figure and direct focus onto her expression and gesture. A halo, subtly integrated into the upper portion of the composition, indicates her elevated status – likely that of a saint or blessed individual.
Beyond the immediate depiction of piety, the painting conveys an atmosphere of quiet introspection. The upward gaze suggests a connection with something beyond the earthly realm, while the clasped hands imply humility and reliance on divine grace. The subdued color scheme contributes to this sense of solemnity and reverence. There is a certain vulnerability in her expression; it’s not a triumphant or overtly joyful depiction but rather one that speaks to an inner struggle or profound spiritual awareness. The overall effect is one of restrained emotion, characteristic of devotional art intended to inspire contemplation and personal connection with the subjects faith.