Quaratesi Altarpiece, predella – Gift to the Three Poor Girls Gentile da Fabriano (c.1370-1427)

The composition presents a domestic interior framed by architectural elements that create a sense of depth and enclosure. Here we see a scene unfolding within what appears to be a modest dwelling, delineated by whitewashed walls and a simple arched doorway. The space is divided into zones; the foreground occupied by figures engaged in an act of charity, while the background reveals a bed draped with rich red fabric and partially obscured by heavy curtains.
An angel stands outside the structure, his posture suggesting observation or perhaps divine sanction of the event within. He extends his hand towards the interior, holding what appears to be a small object – possibly symbolic of grace or blessing. The angel’s presence introduces an element of the sacred into this otherwise mundane setting.
Within the room itself, three young women are depicted in varying degrees of engagement with an elderly man seated on a chair. One woman stands behind him, her posture suggesting concern or perhaps assistance as she holds what looks like a cloth. Another is actively engaged in dressing the man’s feet with bright red socks, a gesture that immediately draws attention to this act of care and generosity. The third girl seems to be observing the scene. Their garments are simple but clean, indicating a degree of respectability despite their apparent poverty.
The elderly mans expression is difficult to decipher; it could convey gratitude, resignation, or perhaps a quiet dignity in accepting charity. His clothing mirrors that of the women, suggesting a shared status and possibly a communal dependence. The bed behind him, with its luxurious red fabric, creates a visual contrast with the simplicity of their attire and surroundings, hinting at a disparity between wealth and need.
The architectural framing – the rough-hewn walls, the arched doorway – contributes to the overall sense of humility and austerity. The light source appears to be coming from outside, illuminating the scene in a soft, diffused manner that emphasizes the tenderness of the moment. The deliberate use of color – the vibrant red of the socks against the muted tones of the clothing and architecture – serves to highlight the act of giving and its symbolic importance.
Subtly, the painting explores themes of compassion, generosity, and the intersection of spiritual grace with everyday human interaction. It suggests a narrative where material need is met with kindness, potentially implying a broader commentary on social responsibility or divine providence.