Giotto di Bondone – 09. The Bringing of the Rods to the Temple
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The architecture itself dominates the right side of the painting. It appears as an enclosed niche or alcove within a larger temple complex. An arched opening reveals a glimpse of further architectural detail and a continuation of the pale blue sky. The lower portion of this structure is decorated with intricate geometric patterns in orange and yellow, adding visual richness to the scene.
At the heart of the composition stand two elderly men, distinguished by their long beards and dignified bearing. One, dressed in red, sits within the architectural niche, appearing as a figure of authority or a presiding official. The other man, clad in green, stands facing him, extending an object – likely a rod – towards the seated figure. A younger boy, positioned between them, appears to facilitate this exchange, his hand reaching out to offer the rod.
The procession of figures behind the boy exhibits a range of expressions and gestures. Some appear attentive, others seem solemn or reverent. The arrangement suggests a formal ceremony or ritualistic presentation. The overall effect is one of gravity and importance, emphasizing the significance of the object being transferred and the authority of those involved.
Subtleties in color and gesture contribute to the painting’s layered meaning. The contrast between the vibrant robes of the procession and the more subdued tones of the architectural setting highlights the distinction between the human participants and the sacred space they inhabit. The boys central position, acting as an intermediary, could symbolize a transition or a passing of responsibility. The deliberate use of light and shadow enhances the sense of depth and emphasizes the figures’ faces, drawing attention to their expressions and reinforcing the solemnity of the occasion.