Frescoes of the north transept – The Flight into Egypt Giotto di Bondone (1266-1337)

The fresco presents a narrative scene unfolding beneath a deep blue sky punctuated by scattered stars. A group of figures moves across a landscape dominated by rolling hills and sparse vegetation. The central focus is on a woman seated atop a donkey, accompanied by two male figures who lead and guide the animal.
The composition adheres to a flattened perspective characteristic of early Renaissance painting. Spatial depth is suggested through size diminution rather than linear convergence. The horizon line sits relatively high, emphasizing the expansive sky and creating a sense of openness. The landscape itself appears somewhat stylized; the hills are rendered as gentle curves, and the trees are depicted with simplified foliage.
The figures are clothed in garments that denote their status or roles within the narrative. The woman is draped in a blue robe, indicative of her importance. One male figure wears a simple reddish-brown tunic, while the other is adorned in a yellow cloak. Their gestures – the leading and guiding of the donkey – imply responsibility and care.
A subtle detail adds another layer to the scene: several small, winged figures hover above the landscape. These angelic presences introduce an element of divine intervention or blessing into the otherwise earthly setting. They are positioned in a way that draws attention to the group’s journey without directly interacting with them.
The decorative border framing the fresco is noteworthy. It features medallions containing portraits of individuals, likely saints or important figures associated with the patron or location of the artwork. The intricate geometric patterns within the border provide a visual contrast to the more naturalistic depiction of the landscape and figures. This juxtaposition highlights the sacred nature of the scene while also grounding it in a specific historical context.
Subtly, the painting conveys themes of protection, displacement, and divine providence. The journey itself suggests a flight from danger or persecution, while the presence of the angelic figures implies that this movement is guided by a higher power. The overall effect is one of quiet dignity and spiritual reassurance.