Frescoes in the crossing vault – Allegory of Chastity Giotto di Bondone (1266-1337)

The composition presents a central architectural structure set against a complex, geometrically patterned background. The vault itself is divided into sections by elaborate red and gold beams, each containing small depictions of figures within circular medallions. These figures appear to be portraits or representations of saints, their faces rendered with a degree of stylized realism characteristic of the period. A large black cross dominates the apex of the vault, drawing immediate visual attention.
Below this central element, a building is depicted in a simplified architectural style. It features arched windows and crenellations along its upper edge, suggesting a fortified structure or perhaps a symbolic representation of virtue. Inscribed above the doorway are Latin words, seemingly forming part of an allegorical statement.
Within this building stands a female figure, her face turned downwards in what appears to be a gesture of humility or contemplation. She is dressed in modest attire and framed by a verdant plant emerging from within the structure. Flanking the building on either side are winged figures – presumably angels – their bodies rendered with flowing drapery and large, expressive wings. They appear to be offering protection or guidance towards the central figure.
The color palette is dominated by gold, red, and earthy tones, contributing to a sense of solemnity and grandeur. The use of gold leaf suggests an emphasis on spiritual value and divine presence. The overall effect conveys a message of virtue, particularly chastity, as suggested by the inscription and the symbolic elements within the scene. The architectural setting implies that this virtue is not merely personal but also protected and enshrined within a larger framework of faith and order. The angels’ positioning suggests an active role in upholding or encouraging this virtue.