Ernst Ludwig Kirchner – Portrait of Erna Schilling
1913. 71x60
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The woman wears a wide-brimmed hat adorned with elaborate feather detailing. This headwear dominates the upper portion of the frame, contributing to a sense of formality while also obscuring parts of her hair. A single yellow flower is pinned near her shoulder, offering a small splash of color against the predominantly muted palette.
The artist’s handling of paint is notable. Brushstrokes are visible and expressive, particularly in the rendering of the hat feathers and the folds of her clothing. The application isnt smooth or blended; instead, it emphasizes texture and movement. This technique contributes to a feeling of immediacy and emotional intensity.
Behind the subject, a background of contrasting colors – a deep blue on one side transitioning into a vibrant red on the other – creates visual tension. These blocks of color are not realistically depicted but rather serve as an expressive backdrop that amplifies the woman’s presence. The lack of depth or perspective in the background further concentrates focus on the figure herself.
Subtly, theres a sense of psychological complexity conveyed through the subject’s expression and posture. Her direct gaze suggests both confidence and vulnerability. The somewhat stylized rendering of her features moves beyond mere representation; it hints at an exploration of inner character or emotional state. The overall effect is one of restrained dignity combined with a palpable undercurrent of introspection, suggesting a portrait intended to reveal more than just physical likeness.