Ernst Ludwig Kirchner – Potsdamer Platz, Berlin
1914. 200x150
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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Behind this procession, architectural elements rise in a fragmented and somewhat chaotic manner. A building with classical features is visible, but its form is simplified and flattened, losing any sense of depth or solidity. Other structures appear as stark outlines, further emphasizing the lack of spatial coherence. The color palette is restricted to blues, greens, pinks, and blacks, contributing to a somber yet vibrant atmosphere. The green ground plane appears almost artificial, lacking naturalistic texture.
The artist’s use of broad brushstrokes and simplified forms conveys a sense of urgency and movement. Theres an intentional lack of detail in the background figures; they are reduced to silhouettes or generalized shapes, suggesting their role as part of a larger, impersonal crowd. The central pathway appears almost circular, drawing the eye towards the figures and then back into the surrounding space, creating a cyclical impression.
Subtly, theres an undercurrent of unease present in this depiction. The distorted perspective and flattened forms suggest a breakdown of traditional order and stability. The anonymity of the individuals, coupled with their formal attire, hints at a societal facade – a performance of elegance masking underlying anxieties or tensions. The overall effect is one of modernity, but its a modernity tinged with alienation and a sense of impending change. It’s not merely a representation of a place; it seems to be an exploration of the psychological impact of urban existence on its inhabitants.