Johann Wilhelm Preyer – Dessert fruit with ivory tankard
1838. 47x64
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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A variety of fruits are meticulously rendered: plums, peaches, grapes (both green and purple), and what appear to be apricots or nectarines. Their surfaces exhibit varying degrees of ripeness, from the smooth sheen of the peaches to the slightly wrinkled texture of the plums. The abundance suggests a sense of prosperity and indulgence.
The tankard itself is the focal point. It appears to be made of ivory and metal, with intricate relief sculptures depicting figures in classical poses – possibly allegorical representations of bounty or pleasure. A small sculpted figure stands atop the lid, further emphasizing the object’s decorative nature and potential association with refined taste. The tankards presence implies a connection to consumption, likely alcoholic beverages, adding another layer of meaning related to luxury and enjoyment.
The dark background contributes significantly to the overall mood. It creates an atmosphere of intimacy and mystery, drawing attention solely to the illuminated objects. The limited color palette – primarily reds, greens, yellows, and browns – enhances the sense of warmth and richness.
Subtly placed walnuts scattered on the cloth introduce a note of natural abundance alongside the cultivated fruits. This juxtaposition might allude to the balance between nature’s bounty and human refinement. The stone base upon which the cloth is draped suggests permanence and stability, contrasting with the ephemeral nature of the fruit and the potential for fleeting pleasure associated with the tankards contents.
The painting conveys a sense of opulent leisure and refined enjoyment, likely intended to evoke feelings of admiration and perhaps even aspiration in the viewer. The meticulous detail and dramatic lighting suggest an emphasis on material wealth and the appreciation of beauty as a source of pleasure.