Max Slevogt – Harness racing
1907. 36x60
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The palette is dominated by warm yellows and ochres, applied with loose, visible brushstrokes that convey a sense of immediacy and energy. These tones saturate the ground and track, creating an almost shimmering effect under what appears to be bright sunlight. Cooler hues – blues, purples, and greens – are used for the distant background, suggesting foliage and sky, but these are rendered in a similarly impressionistic style, lacking sharp definition.
The figures of the drivers are small and somewhat indistinct, their forms blending with the horses’ musculature. This diminishes individual identity, instead focusing on the collective action and the spectacle itself. The viewers attention is drawn to the central group of teams, where the competition seems most intense. A sense of speed is communicated not through precise rendering but through the blurring of details and the energetic application of paint.
Beyond a straightforward depiction of a sporting event, the painting hints at broader themes. The circular track can be interpreted as symbolic of cyclical time or recurring events. The crowd, largely obscured in the background, represents the collective fascination with spectacle and competition. The overall effect is one of fleeting moments captured – a celebration of movement, light, and the energy of a public gathering. Theres an underlying feeling of transience; the scene feels caught mid-action, destined to quickly pass into memory.