Alessandro Botticelli – Mystic Crucifixion
c.1500. 72x51
Location: Fogg Art Museum, Harvard University, Cambridge.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below the cross, two figures kneel in postures of lamentation and contemplation. One is draped in a vibrant red garment, their face obscured, suggesting universal grief or perhaps representing a specific figure associated with mourning. The other is an angel, depicted with flowing hair and robes, extending a hand towards the crucified figure as if offering solace or receiving divine grace.
The background is layered and complex. A distant cityscape, rendered in muted tones, provides a sense of scale and context, hinting at the human world from which the central event unfolds. Above this urban landscape, a turbulent sky swirls with dark clouds punctuated by patches of pale blue, creating an atmosphere of both foreboding and ethereal light. A crescent moon is visible near the upper left corner, adding to the symbolic weight of the scene. Small, stylized droplets or symbols resembling blood fall from the figure on the cross, further emphasizing the sacrifice being depicted.
The painting’s subtexts revolve around themes of divine suffering, spiritual revelation, and the intersection of the earthly and celestial realms. The inclusion of the angel suggests a direct connection between humanity and the divine, offering comfort and understanding in the face of tragedy. The cityscape implies that the event is not isolated but has implications for the wider world. The unusual naturalism of the central figure’s body, coupled with the symbolic elements of the sky and celestial bodies, creates an unsettling yet compelling visual narrative – one that moves beyond a straightforward depiction of religious dogma to explore deeper emotional and spiritual resonances. The muted palette and somewhat rough application of paint contribute to a sense of immediacy and raw emotion, suggesting a personal and deeply felt experience of faith.