БОТТИЧЕЛЛИЛунный свет для красок БоттичеллиСилу дал свою, ещё – рассвет:Если ало-зелен, проще к целиПриведёт, её сложнее нет.Перспектива – сколь она условна! – Боттичелли доказует нам.Контуры, ветвясь весьма неровноМножат формы, внемля небесам.Есть кристал ❯❯❯
ВСЕЛЕНСКАЯ МЕССАЛивень часть вселенской мессы,Равно день твой, ночь твоя,Радости твои и стрессы,Постиженье бытия.Ливень скручивает струныИз ветвей и из листвы.Музыки его рисунокСразу не узрите вы.Ливень кончится. БлистаетАнтрацитово асфальт.Светом синим от ❯❯❯
Ангелы Ботичелли – это неведомое ни до него, ни после. Чтобы изобразить то выражение "лица", что здесь, надо пережить, изведать то же состояние самому. Сверхредкое для Земли состояние. ❯❯❯
фреска находится в церкви Огниссанти /всех святых / прихожанами которой была семья мастера и он сам здесь и похоронен Фреска энергична и по цвету и по композиции и сильно выигрывает в сравнении с находящейся рядом работой Гирландайо на аналогичный сюжет ❯❯❯
Сайт блокировал возможность редактирования. Это что-то новенькое, не помню такого безобразия. Поклонение Младенцу Христу – Это Поклонение Христу Христу. Блокировщики хоть это понимают? Но, вообще говоря, сайт нарушает свои же правила работы в нём. ❯❯❯
The talent of this early Renaissance Italian artist captivated his contemporaries but was long forgotten by posterity. The world remembered the great Sandro Botticelli and his ethereal images only three centuries after his death.
The son of a wealthy Florentine leather tanner, he was born on March 1, 1444. Sandro, as the boy was affectionately called at home, showed talent from an early age. Dreamy and artistic, he differed sharply from his brothers in his delicate nervous system and passion for art. Wishing to give his beloved son a reliable profession, his father sent him to the workshop of a jeweler. The skills acquired there, such as making precise drawings and mixing paints with gold, proved useful to Sandro later when he became an artist. His older brother Giovanni nicknamed the boy Botticello (little barrel), and it stuck to the slender, refined dandy. It was under this name that he entered the history of art. Botticelli studied painting with the famous Florentine artist Fra Filippo Lippi, and then worked in the workshop of the sculptor Verrocchio.
At the age of 25, the artist opened his own workshop, and soon Sandro Botticellis name became known throughout Florence. Paintings by Botticelli adorned the homes of the most prominent citizens. Even Duke Lorenzo the Magnificent admired the artists work and brought him close to his court. In the mid-1770s, Botticelli created Adoration of the Magi, a kind of group portrait of the Medici family at the feet of the Virgin Mary. This is truly a great miracle, and it has been perfected in color, drawing, and composition, wrote the famous biographer Giorgio Vasari about the painting.
Botticelli was one of the first artists of the Renaissance who introduced antique subjects into his works. In the painting Spring or Kingdom of Flora, he created a poetic allegory based on ancient mythology and filled it with new refinement and subtlety. Five years after creating Flora, Botticelli painted a work that he intended to complement it – The Birth of Venus. The artist created his image of ideal female beauty, in which the features of the antique Venus are combined with the appearance of the Christian Madonna. At the same time, for Botticelli, beauty in painting is not a goal, but only a means of expressing his feelings.
Mythological scenes, ethereal characters, harmonious colors, and rich landscapes distinguish Sandro Botticelli from his predecessors and teachers.
The artists fame extended beyond Florence. In 1481, the Pope invited him to Rome to paint the walls of a new chapel in the Vatican. The three frescoes created by Botticelli (scenes from the life of Moses, the healing of a leper, and the temptation of Christ) became some of the artists best works on biblical themes. In the early 1590s, the carefree life of brilliant Florence was replaced by the gloomy era of the Reformation. After the rise to power of a religious fanatic, secular books, paintings, and sculptures were thrown into the fire. Many artists fled the city, escaping persecution by the Inquisition. Botticelli refused; he remained in Venice and even, caught up in the general madness, threw several of his paintings depicting nude figures into the fire.
The artist continued to paint pictures on religious subjects, but they no longer had the lightness and plasticity of Venus. A crisis has come in the painters life, a spiritual turning point was aggravated by physical weakness. Once agile and slender, Sandro could barely move with the help of two sticks. Even when the religious fanatic-oppressor, accused of heresy, was publicly executed, joy did not return to the heart of the old artist or to his paintings. He paints mystical Nativity, Crucifixion, but there is nothing in these canvases that he himself brought into painting.
Surrounded by admirers and students during his prime, the artist found himself alone at the end of his life. Clients who had once revered Sandros genius forgot him. Botticelli spent his last years in the house of his brothers, but as an artist, he died to the world. Machiavelli wrote about him: His star faded before his eyes closed. In May 1510, forgotten by everyone, Sandro Botticelli died. Three centuries passed before his brilliant creations were rediscovered by the world by artists who were captivated by the graceful figures, the elegant plasticity of bodies, and the beautiful eyes that gazed from the paintings of the great Florentine.
В начале фильма "Синдром Стендаля" действие происходит в галерее Уффици. Показан интерьер зала Боттичелли, акцент на "Рождении Венеры". В кадры попадают и некоторые другие картины. ❯❯❯
Автопортретов мастера к сожалению нет, и нет работ других живописцев, которые бы запечатлели лико Боттичели, но есть легенда, что на этой картине мастер изобразил себя. Крайний справа персонаж, как утверждают некоторые искусствоведы и есть Мастер Боттичелл ❯❯❯
В греческой мифологии Парис – центральная фигура, известная своим участием в Троянской войне и судом богинь. Вот несколько ключевых моментов, касающихся Париса в этом контексте:Предыстория: Парис был сыном царя Приама и царицы Гекубы из Трои. Он также был ❯❯❯
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The talent of this early Renaissance Italian artist captivated his contemporaries but was long forgotten by posterity. The world remembered the great Sandro Botticelli and his ethereal images only three centuries after his death.
The son of a wealthy Florentine leather tanner, he was born on March 1, 1444. Sandro, as the boy was affectionately called at home, showed talent from an early age. Dreamy and artistic, he differed sharply from his brothers in his delicate nervous system and passion for art. Wishing to give his beloved son a reliable profession, his father sent him to the workshop of a jeweler. The skills acquired there, such as making precise drawings and mixing paints with gold, proved useful to Sandro later when he became an artist. His older brother Giovanni nicknamed the boy Botticello (little barrel), and it stuck to the slender, refined dandy. It was under this name that he entered the history of art. Botticelli studied painting with the famous Florentine artist Fra Filippo Lippi, and then worked in the workshop of the sculptor Verrocchio.
At the age of 25, the artist opened his own workshop, and soon Sandro Botticellis name became known throughout Florence. Paintings by Botticelli adorned the homes of the most prominent citizens. Even Duke Lorenzo the Magnificent admired the artists work and brought him close to his court. In the mid-1770s, Botticelli created Adoration of the Magi, a kind of group portrait of the Medici family at the feet of the Virgin Mary. This is truly a great miracle, and it has been perfected in color, drawing, and composition, wrote the famous biographer Giorgio Vasari about the painting.
Botticelli was one of the first artists of the Renaissance who introduced antique subjects into his works. In the painting Spring or Kingdom of Flora, he created a poetic allegory based on ancient mythology and filled it with new refinement and subtlety. Five years after creating Flora, Botticelli painted a work that he intended to complement it – The Birth of Venus. The artist created his image of ideal female beauty, in which the features of the antique Venus are combined with the appearance of the Christian Madonna. At the same time, for Botticelli, beauty in painting is not a goal, but only a means of expressing his feelings.
Mythological scenes, ethereal characters, harmonious colors, and rich landscapes distinguish Sandro Botticelli from his predecessors and teachers.
The artists fame extended beyond Florence. In 1481, the Pope invited him to Rome to paint the walls of a new chapel in the Vatican. The three frescoes created by Botticelli (scenes from the life of Moses, the healing of a leper, and the temptation of Christ) became some of the artists best works on biblical themes. In the early 1590s, the carefree life of brilliant Florence was replaced by the gloomy era of the Reformation. After the rise to power of a religious fanatic, secular books, paintings, and sculptures were thrown into the fire. Many artists fled the city, escaping persecution by the Inquisition. Botticelli refused; he remained in Venice and even, caught up in the general madness, threw several of his paintings depicting nude figures into the fire.
The artist continued to paint pictures on religious subjects, but they no longer had the lightness and plasticity of Venus. A crisis has come in the painters life, a spiritual turning point was aggravated by physical weakness. Once agile and slender, Sandro could barely move with the help of two sticks. Even when the religious fanatic-oppressor, accused of heresy, was publicly executed, joy did not return to the heart of the old artist or to his paintings. He paints mystical Nativity, Crucifixion, but there is nothing in these canvases that he himself brought into painting.
Surrounded by admirers and students during his prime, the artist found himself alone at the end of his life. Clients who had once revered Sandros genius forgot him. Botticelli spent his last years in the house of his brothers, but as an artist, he died to the world. Machiavelli wrote about him: His star faded before his eyes closed. In May 1510, forgotten by everyone, Sandro Botticelli died. Three centuries passed before his brilliant creations were rediscovered by the world by artists who were captivated by the graceful figures, the elegant plasticity of bodies, and the beautiful eyes that gazed from the paintings of the great Florentine.
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