St. Louis (Polyptych of St. Bartholomew) Bergognone (Ambrogio da Fossano) (1453-1523)

The composition presents a standing figure centered against a muted, atmospheric background. The individual is depicted in profile, facing left, with a direct gaze towards the viewer. A halo encircles their head, signifying sanctity and divine connection. They are clad in a simple tunic beneath an elaborate mantle adorned with stylized floral motifs – likely lilies – repeated across its surface.
In one hand, the figure holds a tall, slender cross; in the other, a crown of thorns. The cross serves as a clear symbol of suffering and sacrifice, while the thorny wreath alludes to martyrdom and pain endured for religious conviction. These objects are not presented with overt drama but rather with a quiet solemnity that emphasizes their symbolic weight.
The background is indistinct, suggesting an expansive landscape populated by small figures in the distance – possibly witnesses or participants in a narrative event. The limited depth of field contributes to the figure’s prominence and isolates them within the pictorial space.
The artists use of light is notable; it illuminates the face and upper body, drawing attention to the individual’s expression – one that conveys both serenity and a certain melancholy. The color palette is restrained, dominated by earth tones and muted blues, which reinforces the overall sense of gravity and spiritual contemplation.
Subtly, the opulent mantle contrasts with the simplicity of the tunic beneath, potentially suggesting a duality – the earthly versus the divine, or perhaps the blending of royal authority with religious devotion. The lilies on the mantle could also be interpreted as emblems of purity and royalty, adding layers of meaning to the figure’s identity. Overall, the painting conveys a sense of quiet dignity and profound spiritual significance.