Mauritshuis – Jan Miense Molenaer - The Five Senses: Touch
1637, 19.5×24.2 cm.
Jan Miense Molenaer (1609/1610-1668)
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The man’s posture and facial contortion suggest a deliberate attempt at comedic effect; his mouth is agape, eyes narrowed, and he appears to be leaning into the womans personal space. The woman’s reaction is more nuanced – she displays a mixture of mild irritation and amusement, her gaze directed slightly away from the man, suggesting an effort to maintain composure while simultaneously acknowledging the absurdity of the situation. A third figure, partially obscured on the right side of the frame, observes the interaction with a similar expression of wry amusement.
The lighting is dramatic, highlighting the faces and emphasizing the textures of their clothing. The woman’s white linen cap and collar contrast sharply with the mans earth-toned garments, drawing attention to their differing social positions or perhaps simply serving as a visual cue for character differentiation. A small bust sits on a ledge in the background, adding an element of classical allusion within this otherwise commonplace setting.
The subtext of the scene appears to revolve around the complexities of human interaction and the subtle power dynamics inherent in everyday relationships. The artist seems interested in exploring themes of touch, proximity, and the negotiation of personal boundaries through humor and observation. It is not a straightforward depiction of affection or intimacy; rather, it presents a moment of awkwardness that invites contemplation about social conventions and individual responses to them. The seemingly mundane setting – a simple interior space – serves as a stage for a quietly revealing drama.