Jan Steen – ’As the Old Sing, so Pipe the Young’ Mauritshuis

The scene unfolds within a domestic interior, likely a well-worn kitchen or common room. A palpable sense of boisterous activity permeates the space; it is not a tranquil setting but one brimming with youthful exuberance and generational contrast. Here we see an elderly couple seated near a hearth, seemingly engaged in singing – the man’s mouth open wide, while the woman gestures animatedly. Their attention is directed towards a baby held by the older woman, who appears to be encouraging the childs participation in their musical performance.
A group of children dominates the right side of the composition. They are actively playing instruments – flutes and pipes – their faces alight with unrestrained joy. The artist depicted them with a lively energy that contrasts sharply with the more subdued demeanor of the older generation. A dog, positioned near the foreground, adds to the overall sense of chaotic merriment, its gaze fixed on the children’s antics.
The arrangement of figures suggests a deliberate commentary on societal norms and generational transmission. The proverb implied by the scene – as the old sing, so pipe the young – suggests that children learn through imitation. However, the painting complicates this straightforward interpretation. While the older generation attempts to guide the younger one, the children’s actions appear less about faithful replication and more about unrestrained expression. Their music is not a respectful echo of their elders song but rather a vibrant, independent melody.
The interior itself provides further layers of meaning. The presence of a birdcage suspended from the ceiling introduces an element of confinement or captivity, perhaps hinting at the limitations imposed on individual freedom within societal structures. A notice posted near the window – its text illegible – might represent external influences or regulations impacting the household.
The lighting is uneven, with strong contrasts between areas illuminated by the hearth and those shrouded in shadow. This technique draws attention to specific figures and actions while simultaneously creating a sense of depth and complexity within the scene. The overall effect is one of controlled disorder; a snapshot of domestic life where tradition clashes with youthful exuberance, and where the lessons of the past are being reinterpreted through the lens of a new generation.