Bernardo Daddi – Madonna and Child with Saints and Angels National Gallery of Art (Washington)

The composition presents a central figure of a woman enthroned, holding an infant in her arms. She is enveloped in a dark blue robe with gold detailing, and a golden halo encircles her head. The child rests comfortably against her chest, his gaze directed outward. A complex architectural framework, reminiscent of Gothic tracery, forms the backdrop and borders the scene, its gilded surface contributing to a sense of opulence and sacred space.
Flanking the central figure are several individuals arranged in hierarchical groupings. To the left and right stand figures identified as saints, distinguished by their halos and modest garments. They appear to be engaged in acts of reverence, looking towards the enthroned woman and child. Above them, a group of winged beings – angels – are positioned within the architectural framework, adding to the celestial atmosphere. Their poses are graceful and serene, contributing to the overall sense of piety.
The artist employed a flattened perspective characteristic of the period, which emphasizes the decorative qualities of the scene rather than creating an illusion of depth. The figures appear somewhat stiff and stylized, with elongated proportions and idealized features. Facial expressions are restrained, conveying a solemnity appropriate for a devotional image.
Color plays a significant role in establishing visual hierarchy. Gold dominates the architectural elements and halos, drawing attention to their symbolic importance. The dark blue of the central figure’s robe provides contrast and emphasizes her regal status. The flesh tones of the figures are rendered with a delicate pinkish hue, suggesting purity and innocence.
Subtly embedded within the scene is a narrative element. At the base of the throne, a tiled floor suggests an interior space, while the presence of several individuals creates a sense of community and shared devotion. The arrangement of the saints and angels reinforces their roles as intercessors between the divine and humanity. Overall, the work conveys a message of maternal protection, divine grace, and spiritual reverence, intended to inspire contemplation and piety in the viewer.