Jean-Baptiste Oudry – Henri Camille, Chevalier de Beringhen National Gallery of Art (Washington)

The composition presents a gentleman in outdoor attire, positioned centrally within a landscape setting. He is depicted holding a small bird aloft with a gesture that suggests both triumph and careful observation. The subjects gaze is directed outward, conveying a sense of engagement with his surroundings. A hunting dog sits attentively at his feet, its posture mirroring the man’s alertness.
The gentleman’s clothing – a brown coat adorned with elaborate lace detailing – indicates a position of considerable social standing and wealth. His powdered wig, a hallmark of the period, further reinforces this impression. The presence of game-hunting equipment – a horn and what appears to be a small pouch – is casually arranged near the dog, signifying his role as a sportsman and landowner.
The background reveals a formal garden or estate, with a classical building visible in the distance. This architectural element underscores the subject’s connection to established power and refinement. The foliage surrounding the figure creates a sense of enclosure while also hinting at the natural world beyond the cultivated landscape.
Subtleties within the painting suggest layers of meaning beyond a simple portrayal of leisure activities. The bird, held delicately yet firmly, could symbolize control over nature or perhaps a commentary on mortality and fragility. The dog’s loyalty and attentiveness might represent fidelity and companionship – values highly prized in aristocratic circles. The overall impression is one of controlled elegance and the display of status through engagement with both the natural world and refined culture. The artist has skillfully employed light and shadow to highlight the subjects features and clothing, drawing attention to his position within this carefully constructed scene.