Giorgio Vasari – Apotheosis of Cosimo I de Medici (1519-74)
1565.
Location: Palazzo Vecchio, Firenze.
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COMMENTS: 1 Ответы
Интересно, сколько художнику заплатили за такой пиар. Сомневаюсь, что он столько рисовал из одних патриотических побуждений.
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Surrounding this central figure is a swirling vortex of figures and symbolic elements. Numerous cherubic beings populate the space, their expressions ranging from adoration to active participation in the scene’s unfolding drama. They are not merely decorative; they seem to actively support and celebrate the man on the throne, reinforcing his elevated status.
A radiant halo emanates from behind the enthroned figure, further emphasizing his divine or semi-divine nature. This light is not simply illumination; it seems to be a source of power and grace that permeates the entire composition. The background itself dissolves into a cloudy expanse, suggesting transcendence and an escape from earthly limitations.
Framing this central scene are a series of shields bearing heraldic emblems. These devices likely represent familial alliances, territories controlled, or significant events in the subject’s life and reign. Their placement around the perimeter serves to contextualize the central figure within a broader historical narrative, anchoring his apotheosis within a lineage and legacy.
The overall effect is one of deliberate grandeur and carefully constructed symbolism. The artist sought not merely to depict an individual but to elevate him to a position bordering on divinity, suggesting a lasting impact that transcends mortal existence. The painting functions as a visual declaration of power, legitimacy, and the enduring importance of the subject’s rule. Its a statement intended to inspire awe and reinforce the perception of inherent authority.