Mauritshuis – Hendrick Goltzius - Hercules and Cacus
1613, 207×142.5 cm.
Hendrick Goltzius (1558-1617)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Эту картину я выбираю заставкой к песне "Муж пошёл за пивОм".
You cannot comment Why?
At his feet lies another figure, prone and seemingly defeated. This individual is smaller in scale compared to the standing man, and his posture indicates submission or incapacitation. The fallen figure’s face is turned away, obscuring any immediate expression of pain or defiance. A splash of red fabric near him suggests a recent struggle or injury.
The background reveals a panoramic vista with distant mountains and what appears to be a walled city nestled within the terrain. Several figures are visible in this distance, seemingly observing the scene unfolding below – their presence adds a sense of narrative context and implies that this event is significant beyond the immediate participants. A herd of cattle grazes peacefully on a lower slope, creating an interesting juxtaposition between pastoral tranquility and violent conflict.
The color palette leans towards earthy tones – browns, greens, and ochres – which contribute to the overall feeling of ruggedness and antiquity. The lighting is dramatic, highlighting the musculature of the standing figure while casting shadows that deepen the sense of depth within the landscape.
Subtextually, the painting seems to explore themes of power, conflict, and triumph over adversity. The disparity in size and posture between the two figures suggests a clear hierarchy – one representing strength and dominance, the other vulnerability and defeat. The distant city hints at civilization and order, perhaps contrasting with the raw, untamed nature of the landscape and the violent encounter taking place within it. The presence of livestock introduces an element of primal existence, further grounding the scene in a world governed by struggle and survival. Overall, the work conveys a sense of heroic narrative, likely depicting a pivotal moment in a larger mythological or legendary tale.