Follower of Cimabue – Christ between Saint Peter and Saint James Major * National Gallery of Art (Washington)

The painting presents a male figure within a hierarchical composition, framed by an arched top border decorated with intricate patterns. The subject is depicted in profile, turned slightly towards the viewer, creating a sense of engagement despite the formal pose. He possesses a full beard and hair, rendered in shades of grey and white, suggesting age and wisdom. A blue tunic underlies a vibrant yellow cloak draped across his shoulders, contributing to a rich color palette that emphasizes his importance.
The figure holds a simple wooden cross, positioned diagonally across his body and resting against his arm. This object serves as a clear symbol of faith and sacrifice. The background is uniformly gold, a common technique in Byzantine and early Renaissance art, which flattens the space and directs attention to the central figure. It also evokes a sense of divinity and otherworldliness.
The artist’s rendering demonstrates a deliberate attempt at conveying solemnity and dignity. Facial features are somewhat stylized, with large eyes that convey an inward gaze, suggesting contemplation or spiritual awareness. The lines defining his form are clear but not overly detailed, characteristic of the periods artistic conventions. There is a certain rigidity to the posture, indicative of the devotional purpose of the work.
Subtly, the cracks visible on the surface of the painting suggest age and fragility, hinting at the passage of time and the enduring nature of faith. The overall effect is one of reverence and quiet strength, intended to inspire piety in the viewer.